Augustus Washington (1820 - 1875)

African American Daguerreotypist

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Advertisement from The Hartford Daily Courant, October 8, 1852.
This ad shows the world having its picture taken at Washington’s studio. The Connecticut Historical Society
Photograph of Kellogg’s Building, 136 Main Street, Hartford
In 1847, Washington moved his studio to the building occupied by the noted lithography firm of E.B. and E.C. Kellogg. The Connecticut Historical Society, X.2000.2.138
Daguerreotype portrait of Eliphalet Adams Bulkeley by Augustus Washington, c. 1853
Bulkeley was the founder of Aetna Insurance Company and one of the wealthiest men in Hartford at the time. The Connecticut Historical Society, X.1960.193.2
Daguerreotype portrait of Lydia Smith Morgan Bulkeley by Augustus Washington, c. 1853
Other Bulkeley family members were also photographed, including a son, Charles. The Connecticut Historical Society, X.1960.193.1
Daguerreotype portrait of an unknown man and unknown woman by Augustus Washington c. 1850
Washington’s portraits also document people of more modest means. This portrait may have been taken to commemorate a wedding. The Connecticut Historical Society, The Newman S. Hungerford Museum Fund, 2000.8.0.

Augustus Washington was one of the most talented and successful photographers in mid-1800s Connecticut. He was also an African American. Washington lived in Hartford from 1844 until 1853 and was actively involved in the Abolitionist Movement and the life of Hartford’s free black community. Though his work depicts people of different classes and cultures, ironically, no portraits of African Americans survive from his years in Hartford. 

Augustus Washington was born free in Trenton New Jersey in 1820, the son of former slaves. Determined to get an education, and working against the odds of poverty and racial prejudice, he attended schools in New Jersey, New York and New Hampshire.

Although he was ultimately admitted to Dartmouth College in the fall of 1843, he was forced to leave after one year for financial reasons.

In addition to working at a variety of other jobs, Washington learned the skill of “daguerreotypy” in order to make money to pay for his education. The daguerreotype, named for Jacques-Louis Daguerre, who invented the process in 1839, was the earliest form of photograph to become widely available.  Its precise mirror-like images seemed miraculous to a public that previously had known only artist’s renderings. 

Washingtoncame to Hartford in the fall of 1844 to run Talcott Street Congregational Church’s North African School, one of two schools in Hartford for black students. Under the leadership of the Reverend James W. C. Pennington, this church was a hub of regional anti-slavery activity. 

In 1846, Washington left teaching, and opened his daguerreotype studio on Main Street, one of twenty such studios that opened in Hartford between 1840 and 1855. Although many of these businesses quickly failed, Washington established a reputation for quality, and prospered for more than six years. A newspaper advertisement at the time read “Washington is at home, and daily executing beautiful and correct Miniatures, equal to any in this country, at his uncommonly cheap prices.”

Believing that African Americans could not “develop [their] moral and intellectual capacities as a distinct people” in the United States, Washington and his family left Hartford for Africa in 1853. .He became a prominent citizen of Liberia, a West African colony founded in 1820 for freed American slaves and others of African descent. 

A substantial collection of his portrait photographs is housed in The Connecticut Historical Society, One Elizabeth Street, Hartford, CT 06105.  For more information, go to www.chs.org.


  

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